MOS, Michael Meredith, Hilary Sample, ... For better or worse, this website is not an encyclopedia of all our work. It is an informal bulletin board, an ever-growing wall to pin up images and text, a way to make the design process more intimate and social, allowing others to engage our work and give us feedback, while providing ourselves with another venue outside of the office to illustrate and reflect upon what we're doing.
We really don't know exactly when MOS started, but it was sometime in 2003. When we began, our name was !@#?, which we quickly found was too difficult to use because 1. you couldn't pronounce it and 2. you couldn't get a web address. So eventually we drifted towards MOS - an acronym of our names and a shared desire to be horizontal and fuzzy, as opposed to tall and shiny. We began our makeshift office around a large table and began working through a range of design experiments - a make-believe of architectural fantasies, problems, and thoughts about what we would be building if we could only get the work. "MOS definitely" was our slogan. Today, as we've grown, we continue to operate around one large table as a design office that works closely on each project through playful experimentation, serious research, and old-fashioned problem-solving. We engage architecture as an open system of interrelated issues ranging from architectural typology, digital methodologies, building performance, sustainability, structure, fabrication, materiality, tactility, and use, as well as larger networks of the social, cultural, and environmental. Our inclusive process allows MOS to operate at a multiplicity of scales.
Selected Awards and Citations
2010 Academy Award, American Academy of Arts and Letters
2009 Young Architects Award PS1/MoMA Summer Pavilion Winners
2009 Progressive Architecture Award, Drive-In and Park, Marfa Texas
2008 Architectural Record: Design Vanguard
2008 Surface Magazine, The Avant-Guard Awards: The Scholars
2008 First Prize “Flip a Strip” Competition, Scottsdale Museum of Art, Scottsdale, Arizona, USA
2008 Emerging Voices Series,The Architectural League of New York, New York
2008 Finalist, Iakov Chernikhov International Prize
2007 I.D. magazine, Design Distinction, IVY, 53rd Annual Design Review,
2005 First Prize, Architecture/Design, "AICA," Association Internationale des Critiques d'art <
2005 I.D. Award Best in Category, Puppet Theater, 51rd Annual Design Review
Selected Exhibitions
2010 Academy Award, American Academy of Arts and Letters
2009 Without Out, Tobias Putrih & MOS, List Centre for Contemporary Art , M.I.T.
2009 Intervention#10, Tobias Putrih & MOS, Boijmans Museum, Rotterdam, The Netherlands
2009 Overhang, Tobias Putrih & MOS, Baltic Centre for Contemporary Art , NewCastle, England
2008 Artist Space, Matters of Sensation New York, NY, USA
2008 CStem 2008 – Breeding Objects Torino, Italy
2008 Flexibility-Design in a Fast Changing Society Torino World Design Capital, Torino, Italy
2008 Venice Biennale Experimental Architecture Padiglione Italia Pavilion
2008 ‘Flip-a-Strip’ Scottsdale Museum of Art, Scottsdale, Arizona, USA
2008 Buckminster Fuller: Starting with the Universe Whitney Museum of American Art, New York, NY USA
2007 International Conference Urban Health Johns Hopkins/University of Maryland, Baltimore, MD
2007 Scripted by Purpose, FUEL Collection 249 Arch Street, Philadelphia, PA, USA
2007 Work by MOS , Cite de l’architecture et du partimoine, Paris, France
2007 Design Triennale - iVY, Design Life Now, ICA, Boston, MA, USA
2007 Young Architects Program, PS1/MoMa, New York, NY, USA
2006 Beyond the Harvard Box, Harvard Graduate School of Design
2007 Cooper Hewitt Design Triennale Design Life Now, New York
2007 Living Spaces, ICFF, New York
2005 SoftCell, Henry Urbach Architecture, New York
2004 Young Architects Program PS1/MoMa, New York, NY, USA
permalink
-
One thing about the "Afterparty," as we're calling it, is the need to look for new promiscuities, new methods of design, after the party of a sort of high-formalism which has dominated academic discourse. In this particular case it's with the basic structural arch and dome geometries, rough base materiality and the production of a totalizing "environment," (literally cooling down the courtyard through stack effect) looking towards a more primitive state of architecture.
From Wikipedia-
An afterparty, after-party, or after party is a gathering that occurs after a party, a music concert, a premiere or the closure of a nightclub. An afterparty may provide additional social opportunities for people who do not want to return to their respective homes.The main purpose of the afterparty is to provide a relaxing environment, as compared to the earlier venue, where the atmosphere is usually more frenetic. During an afterparty people often sit down, relax, and chat freely, meet new people in a more controlled setting. If the original party was one that continued until late at night, the afterparty will often include a morning snack, which usually counts as breakfast. .... Possibly in contrast to relaxation, the afterparty can provide a chance for people to get away from the eyes of people who were overseeing the main party. This tends to be more common in events such as school balls where alcohol consumption is not allowed, and provides a location where the partygoers will be allowed to drink. In this case, the afterparty may turn out to be more lively than the main party, as the people are freed from the restrictions that were placed on them during the main party.
the good photos are by Florian Holzherr
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
